From the defunct homophonic Toronto trio Bass is Base to the woofered-out lowriders of the West-Coast, everybody loves bass! When I make demos, the bass part is the most challenging since I’m least familiar with the rules-of-engagement of the “dad guitar“. I know there are principles out there that tell you to pair it with the drums or the rhythm guitar to help hold down the foundation of the song. Regrettably, I don’t really know what that means so I tend to approach arranging a bass line like I do any other instrument I’m adding to the mix: it’s just another melody line that complements the main melody…just lower. That approach seems to work well enough and at the very least it makes the song a lot more interesting than if I just relegated the bass to being your flatulent sounding “braaap!….braaap!” of beer music tuba fame. So with my self-deprecation and fart-references out of the way, here are three songs with effective bass lines that stand out in my mind. (bass comes in at 0:52) (bass really comes in at 1:15) (bass comes in when Noel says “get a little bass”(?): 0:45) Oh what the hell…one more legendary bass work from the 80’s!: (it’s subtle…you’ll have to watch for it. “It” being the hot pink bass guitar) Blue Blue Satellite

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