If you’re a podcast listener you’ll probably be familiar with the two podcasts whose names I’ve mashed up for the purposes of this series of posts. I thought it apt because what I’d like to do is to give you an idea of my creative process (à la Song Exploder) as I actually work through it over the next few weeks and months (à la Serial) on a new song called “Wrestle With Giants”. 

 

I’d imagine that in most cases, when starting to flesh out the components of a song’s production, you would maybe have a nice foundation of guitar or piano, then strengthen that foundation with some rhythm guitar or doubled up guitar or bass or drums. It’s like pouring the foundation of a house then shoring it up with I dunno, glue or something which I’m sure is totally the way homes are built.

But due to my knowledge of music production being somewhat at par with home building, the next instrumental layer for my new song “Wrestle With Giants” was not piano, nor bass, nor drums, nor doubled guitars, nor double bass, nor double bass drum, nor doubled double bass drum. Instead, it was the king of twang, the pedal steel. I guess it makes sense because I love pedal steel but learned to play it from YouTube videos. So when I need to come up with a pedal steel part, it’s the most work since I have to approach it lick-by-lick and try to make it complement the song while not betraying the fact that my playing level is somewhere between Jurassic Park Melodica and High School band 2001 Theme.

Still though, I think I do excel in making the most out of the least so I’m pretty proud of this next iteration of the tune: guitar and pedal steel. Have a listen:

 

Blue Blue Satellite

 

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