Archives for posts with tag: inspiration

There’s very little that can be said about Sister Rachel that hasn’t already been said. So I’ll keep it short and on the topic of the production of the track rather than re-tread the now ponderous story of Sara Melson‘s involvement on the track, which, if you’ve spoken to me for more than 30 seconds, you’ll have heard…and have wished you had those 30 seconds back.

Being the poppiest track I’ve written, it’s ironic that it was actually the track I had a lot of trouble with in the studio. I played every part on that track and I struggled particularly on the drums. It was late, I was tired, I was getting frustrated at not being able to find my groove on the drum part. That’s especially problematic considering I don’t play drums. Still, I persevered and producer Dean guided me through it and eventually I found my second wind and started having fun with it and churned out a pretty acceptable song.

The intro synth beat is from my original Casio VL-1. It literally belongs in a museum and for the record I’m using the Rock-2 preset(the Rock-1 preset was already in use).

With dignity

Without dignity

Without dignity

LIVE VERSIONS

Sister Rachel is a tricky song to capture live without a band so I’ve had to re-invent it several times. Here are the incarnations I’ve done at shows:

Blue Blue Satellite

Advertisements

Before I hit my stride writing contemplative melancholia, there were three songs I was especially proud of: “The Fair’s in Town Tonight“, “Don’t Cry (Tonight)” and “Against the Northern Sky”. They’re also amongst my oldest songs and I used to call them the Trilogy of Sad Songs. Nowadays nary a song gets wrote that isn’t sad in some way.

Track 3 – “The Fair’s in Town Tonight”

Sometimes the genesis of a song will be a single freeze frame in my mind’s eye. Either one I make up or one I’ve experienced. In the case of “The Fair’s in Town Tonight” it was a sad one I had seen…..from The Simpsons:

simps

Lisa Simpson personifying melancholia. And poor pedestrian safety.

This poignant moment of cartoon gravity came after a scene at a carnival/fair thus planting the seed of a song whose theme was the deception of appearances: sad people can be at fair, adult males can watch cartoons…

simps2

Speaking of adult males, another frame from the same episode.

In the bridge, I wanted to achieve a certain sound with one of the instruments and we accomplished it by bouncing a screwdriver off electric guitar strings. We had first tried a highlighter but it just didn’t have the quality you get with a screwdriver. You can never be too picky when using work tools and stationery as instruments.

Track 4 – Don’t Cry (Tonight)

“Don’t Cry (Tonight)” is my oldest song with any songwriting worth. It was a mainstay of my early live shows and if memory serves, it was one of the songs that helped land me a spot on Toronto’s Free Times Cafe’s Best of Open Stage, which set the stage for the emergence of Blue Blue Satellite in the early 2000’s. Further validation came years later, when my #1 influence, Mojave 3, released a song that had echo’s of “Don’t Cry” in it. Very cool to see like-minded inspiration from different sources.

I fought with the arrangement of “Don’t Cry (Tonight)” for several weekends before we were due to start recording it. I finally drew on songs that do strings right, and based the arrangement around a violin ensemble part.

This may be a reward or it may be a punishment for you wonderful readers out there, but here’s the original DIY demo I did of the song if you want to contrast it with the final product.

Blue Blue Satellite

If you bought a copy of my newly released debut record, “The Learning Days”, you’ll see a little name in the credits and hear a big voice on the record: Sara Melson.

Although not a household name, Sara is an exceptional L.A.-based songwriter and singer who has had some notable success including having a song on Grey’s Anatomy and singing backup for Moby on the The Tonight Show with Jay Leno.

Moby and Sara

Pictured: Moby, Sara, other white clad singers. Not pictured: Jay Leno, Jay Leno's chin.

This blog post will be less about how I got her to sing on my record, but more about what her being on the record means to me.

So let’s begin. And we will begin with…

Neil Halstead, my bearded musical raison d’être:

Neil Halstead

Full beard = extra realness

My bread and butter as a musician is fingerstyle guitar and finding beauty in the melancholy. And I learned how to do both from Neil’s songs. Specifically, this song and this song respectively.

Now then. Neil has a band called Mojave 3 and in 2006, their lovely bassist and co-vocalist, Rachel Goswell, fell ill and couldn’t tour in support of their new album. So as a young Blue Blue Satellite sat and listened to his favorite band on the highly influential Morning Becomes Eclectic radio show, I was saddened to not hear Rachel Goswell, but was gladdened to hear a more than capable replacement.

KCRW

Click to enlarge. Witty captions ensue.

The DJ said it was “Sarah Nelson”. After some intense research on internet search portal Google(Google, the verb, had yet to be invented), I realized that it was Sara, no “h”, and Melson, not “n”. Sara Melson. It didn’t take her long to gain me as a fan because her gift of melody, her bold, brave lyricism and her killer wolf-in-sheep’s-clothing voice made becoming a fan a no-brainer.

Meanwhile, Mojave 3 had posted a blog about their bass player’s health woes:

Mojave 3 blog

Before there was Facebook, there was MySpace...and Tom. (Click to enlarge and read).

Did you catch that? Let’s take a closer look…

Two magical words

Capitalize the "s" and you've got yerself a song!

That’s right…it was this blog post and those two words, “Sister Rachel”, that inspired me to write my poppiest song to date: “Sister Rachel”. It has since been a mainstay in my setlists and always manages to be quite a crowd pleaser. And when Sara Melson graciously agreed to provide some vocals on my record, there was no doubt in my mind: it had to be on “Sister Rachel”. And it couldn’t have worked out better…the way the second verse comes in, the key and vocal range, the harmonies…it’s like Sara’s vocals had found their way home. Every time I listen to that track, I break into a big dopey grin when her vocals enter.

So in summary, here’s serendipity Blue Blue Satellite style: Sara sings on “Sister Rachel” which was inspired by Rachel Goswell of my musical heroes Mojave 3, whom Sara stood in for when Rachel fell ill while Mojave 3 blogged about their “sister Rachel” which inspired me to write my song “Sister Rachel” which Sara sings on.

Too convoluted? Ok then, I’ll put it in the form of  a lame poem:

I love Sara Melson
I love Mojave 3
Sara sang with Mojave
and now she sang with me.

Blue Blue Satellite

p.s. despite her cool success, it ain’t easy being a full time musician in L.A. and Sara needs help to raise funds for her next album…lend a hand here. Tell her Blue Blue Satellite sent ya…

Inspiration hit this weekend and I wrote one last song for the record. It’s a little risky to put it on the record so soon after writing it, because I could just be suffering from the songwriting equivalent of beer goggles. But at the very least it’ll be a different kind of song. In fact, it’s different from any previous song I’ve written mainly due to one factor which I will leave for you to discover when the record comes out in who-knows-when. The song will probably be the album closer and I wrote it with that in mind and I do think it’ll give the album a nice sense of finality.

Anyhoo, after a brief African hiatus, I head back to the studio for a few sessions this week to hopefully turn the who-knows-when to Wen-knows-when. I’ll tell you this though…that original November 26th I hoped for was waaaay off. There’s much work to be done and now that I’ve got the new Coldplay on my mind, I’ll no doubt be asking my producer for the Enofication of my tracks. So, soaring choruses about skies and birds with tons of ambient effects and a lot of “whoo hoo”‘s and “whoa oh”‘s. I can just see him sadly shaking his head when I start singing in a falsetto.

Blue Blue Satellite