Archives for posts with tag: Metallica

Still with me? We’re trudging towards the end of the track-by-track analysis of my 1-year-old debut album The Learning Days. Will there be a reward at the end like those three-second hidden scenes after half an hour worth of credits at the end of superhero movies? Test your endurance over a few more insipid blog posts to know for sure!

So if I HAD to choose one song that I felt could be excluded from “The Learning Days”, it’s probably Science and Progress. I’m pretty open with the fact that many of my songs have very specific influences but Science and Progress takes it to a whole new level:

  1. The title and lyrics are directly based on Coldplay’s The Scientist
  2. The huge swell at the end is very much based on the huge swell of this very obscure song.
  3. The scream-y part during the swell that Dean wisely brought down in the mix was very much based on Glen Hansard’s much more capable scream-y part in When Your Mind’s Made Up
  4. The drum beat is very much based on the Verve’s litigious 90’s masterpiece Bittersweet Symphony.
  5. I used to say that this song is a sequel to Coldplay’s The Scientist. Song sequels themselves being a concept I stole from Metallica.

So what I’m saying is that I probably thought I was very clever creating this Frankensteinian monster of a song from stolen bits of mostly mainstream songs and included it on the record as a “hey, look how clever I am”. But if I remember my Frankenstein, which I don’t but am quite capable at looking up Wikipedia articles, it don’t end too well for anybody. The old timey-hot Bride of Frankenstein notwithstanding.

Untitled-2

Chicks with their hair on fire. Marriage material for reanimated corpse monsters and singer/songwriters alike apparently.

Blue Blue Satellite

Side of a Bullet by Nickelback

Yes, Nickelback. This song legitimizes the band for me because it features a lost guitar solo by the late Pantera guitarist Dimebag Darrel and was fully endorsed by his brother, drummer Vinnie Paul. The song does a great job striking a delicate balance between a revenge fantasy and a song about loss. The imagery of sitting and scratching someone’s name on the side of a bullet, I feel, is quite powerful and leaves a lot to the listener’s imagination.

We’re Off to See the Wizard by Harold Arlen

Not only did composer Harold Arlen find rhymes for the word “Oz”, but he does it repeatedly with different words and clever puns through the chorus while capturing the essence and whimsy of the scene quite brilliantly.

Victory by Megadeth

You know you’ve had a nice, long, distinguished career when you can write a four-minute song that’s composed almost entirely of the song titles of your back catalogue. A fun, gimmicky and surprisingly catchy song by veteran shredders and 1/2 born-again Christians Megadeth.

Lose Yourself by Eminem

The best way for me to feel inadequate about my songwriting is to listen to and analyze an Eminem song. Structurally and thematically, they are nothing short of astounding. Lose Yourself features so many advanced rhyming techniques that it makes my head spin. Not to mention that this song is epically inspiring, faithfully captures independent musician life, and just pumps me the hell up.

Moonlight Sonata by Ludwig van Beethoven

I’ve been starting to brand my style of music as “melancholy folk-pop”. This is the 18th century version of it. Except a lot better. This is the kind of piece you hold your breath listening to. Dark, beautiful.

Dr. Snuggles theme song

A melody you can whistle along to is a sure indicator of a good song. And this melody just struck me as I listened to it on college radio driving home in the wee hours one night in Toronto. I subsequently stole it for a song of my own.

Part of Your World (reprise) by Alan Menken and Howard Ashman

First of all the swelling string intro is gorgeous. And it continues into another fantastically lovely melody. I just have a tiny beef with the lyric “I don’t know when/I don’t know how/but I know something’s starting right now”. Doesn’t “starting right now” answer the “when” question?

Whiplash(live version) by Metallica

One thing I lament about being a singer/songwriter is that I’ll never really be able to really rock an audience. I mean really just wield my guitar like it was an adrenaline-spewing über weapon. That’s ok though…the boys from Metallica do a mighty fine job with this song that’s good on the album but killer live.

What a Wonderful World performed by Louis Armstrong

A study in simplicity. A 2 minute song whose melody is essentially the alphabet song. When doing a ridiculously optimistic song, you always run the risk of going into cheeseball territory. This song didn’t, probably because it was kept simple and due to the sincerity and believability of ‘ol Satchmo’s singing.

Tara’s Theme from Gone With the Wind by Max Steiner

The main theme is so deceptively simple…just a pattern of four notes repeated in variation four times. But it’s so rich and just absolutely full of emotion. I haven’t even seen Gone With the Wind but just from this theme you can get a sense of the epic scope of the film.

Violin concerto allegro moderato by Pete Tchaikovsky

Yes, simplicity is good, but sometimes a showpiece will bring the house down. As well as my estimation of myself. If you’re impatient, you can fast-forward to 5:36 where you can watch a nerdy-looking polio surviving violiner do some serious badass pwn-age.