Archives for posts with tag: record

I’ve started recording my second record. It’s going to be an interesting time to be doing it because it’ll be framed within my dramatically monikered “Blue Blue Satellite Manifesto”, which dictates that my musical endeavors must be about:

  • Creativity – the joy of plucking elements out of thin air and assembling them with auditory artistic cohesion
  • Expression – interpreting the ups and downs of life into a personal soundtrack
  • Enjoyment – allowing myself to be swept away with music’s sonic power of elevation

I used to believe in the idealistic trope that “it’s all about the music.” But after album #1 and not quite having conquered the world with it, I’ve decided a more accurate adage is: “it’s all about selling your music” or “it’s all about the music that will bring people in to drink” or “it’s all about Tweeting, Facebooking, Instagraming, Tumblring, YouTubing, Vine-ing, Cat Video-ing your music” or simply: “it’s not all about the music.” So the Manifesto is my attempt to re-focus my musical goals onto the magic which got me into music in the first place. Which will probably see me ceasing to do certain things that are standard practice in music, but simply don’t adhere to my Manifesto.

Maybe this is just a highfalutin way to say I’ve given up. Or that I’m jaded. Or that I’m lazy. Or that I don’t have what it takes. Or that I’m hoping some record executive will be impressed by my radical thinking and sign me because I’m clearly an iconoclastic polymath…

But here’s the immutable fact: I’m working with Gallery Studio‘s Dean Watson again and we’ve so far recorded two songs. They’re not mixed or mastered yet, nobody has heard them and I’ve made no money off of them. Just two people, in a basement, creating music from my songwriting. And I couldn’t be happier.

Blue Blue Satellite
Iconoclast. Polymath. Thesaurus user.

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I really thought I was keeping the Toronto pre-release show pretty simple. And I believed this right up to a few days before showtime. Although I probably should have known better as I left my apartment in Ottawa.

It's schleptacular!

What I should have known was that I had to coordinate the set up of a rental P.A. system, a slideshow intro for two performers, that two out-of-town couples were well taken care of, three never-before-used stomp boxes, lighting logistics, a constantly changing guestlist and of course, the worst weather(or weather warning) of the season. Add to this the fact that I was trying to deal with these details with a shirt, tie, sweater and fitted faux-leather bomber jacket on, and it was quite the ordeal. Albeit a very fashion forward ordeal.

So what began as a musical extravaganza featuring a few bells and whistles became The Bells and Whistles Super Stress Show, featuring a bit of music. But that’s okay because the music served an oasis of calm in the middle of gigzilla. I was hardly nervous at all and yes, technical glitches did occur but I tried and hope I succeeded in moving past all of it with professionalism to deliver an entertaining show.

It was fun to be a headliner for the first time and to have a class-act like Kristine St-Pierre be my opening special guest. It was also fun to call her up during the encores à la George and Elton in “Don’t Let the Sun Go Down On Me.” Also, the beauty and uniqueness of the venue helped distract the audience from, oh, say, daisy chained pedals disconnecting from each other in mid-air and crashing to the unforgiving floor with the even more unforgiving PA system amplifying the cacophony as if to say “Hey Blue, maybe plan a little better next time, yeah?

Nonetheless, the things people actually said to me at the end of the night was just all kinds of nice and made me feel like it was all worthwhile. And you know what? It was. Even if the grand piano’s supports had given out and crushed my legs and carefully colour-coordinated pants, it would have been worth it. Because having your own professionally produced debut CD, releasing it in your hometown to attentive, close friends and family and hearing their words of praise, encouragement and support can only make you strive onwards and upwards.

Thank you attendees. It was my humble honour to share some music with you for an evening. We’ll do it again. Soon.

Blue Blue Satellite

The Learning Days debut album from yours truly, Blue Blue Satellite, is trudging steadily to completion. So, I thought I’d throw out some fun facts….

Number of tracks: 14

Number of tracks less than a minute long: 2

Album length: 50:55

Longest track length: 5:24

Shortest track length: 0:38

Number of tracks with parentheses in the title: 4

Number of tracks with the king of all instruments, the pedal steel, on it: 4

Number of guitar solos: 2

Number of pick slides: 1

Number of “girl” – “world” rhymes: 0

Number of ooh sha la la la la la’s: 0

Number of ooh la la la la la la’s: 2

Weirdest instrument used: plastic screwdriver handle bouncing off guitar strings

Densest vocal harmonies: 9 layers

F-bombs edited out: 2

Number of guitars used: 5

Off-colour jokes told in the studio: 1,543,442

Time wasted in the studio: 1,543,442 minutes

Oldest song on the record: circa 2001 – Don’t Cry (Tonight)

Newest song on the record: circa 2011 – Melancholia

Best misheard lyric after listening to it too much: “Sister Rachel” = “Interracial”

Hearts worn on sleeve: 1

Recording in a real studio was very enjoyable mostly because I got to experience what I’ve seen in movies, TV and magazines: Talking to the producer through soundproof glass over headphones, singing into a “plosive screen”, being surrounded by mounds of equipment for which I’d have a hard time finding the ‘on’ switch…

But it was enjoyable also because it brought out different aspects of me as a performer I never expected. Namely, the aspect of being a singer. Oh, I’m still a crappy singer but I was very proud of how few takes it took me to get a pretty acceptable performance. Sometimes we even settled on a “scratch track”(a placeholder take) as the final take. There is the theory, of course, that since my singing is weak to begin with, it doesn’t take that much effort to reach that bottom rung of the singing ladder. Nonetheless I also enjoyed doing the singing takes much more than anything else. When playing the instruments, I was very conscious about technique and precision. But with the singing, I felt very free and liberated to just pour as much mood and emotion as I could into the vocal performance.

That being said, whoever invented vocal correction technology is a life-saving genius.

Blue Blue Satellite

So my studio time has ended. We didn’t quite finish everything up so I’m going to have to go back in to record one last track. Then comes the editing, mixing, mastering and the most important part: running the entire record through the T-Pain Super AutoTune 5000™.

But I can tell you the tracks that we recorded, thus officially revealing the tracklist for The Learning Days:

(in alphabetical order)
1. (Never) Let It Go
2. 30
3. Against the Northern Sky
4. Blues’ll Always Be the Blues
5. Do You Remember Me?
6. Don’t Cry (Tonight)
7. The Fair’s in Town Tonight
8. The Learning Days
9. Science and Progress
10. Sister Rachel (a.k.a.: “Inter-racial”)
11. Thieves

Going to take a little travel hiatus but it’s going to be nothing but The Learning Days, The Learning Days, The Learning Days once I’m back and hopefully the record will be finished just in time to cheer y’all out of the winter blues(…or drive you deeper into them, depending on which tracks you listen to).

Blue Blue Satellite

On Friday, a professional musician came in to the studio and played pedal steel on a few of my songs. Just hearing a professional touch playing an instrument I adore on a song that I wrote was an unforgettable moment. Goosebumps, chills, tears…bodily functions were at peak flow. And although that last sentence has a powerful lack of eloquence and subtlety, I can assure you that Anders Drerup’s touch on a handful of my songs was as eloquent and subtle as a Shakespearean ninja(i.e. very eloquent, very subtle).

And let’s not forget a few days prior when Tim Watson stopped by to add some drums to a track as well. I just watched the video footage I shot and as it started I thought to myself, “Weird, I don’t remember listening to a kickass rock song in the studio”…then it dawned on me that it was my song with Tim beating the hell out of the skins for the track. A monster on the kit making a monster out of the song…and again, let me assure you, that is a good thing.

I blogged awhile back that I’d probably cheap out and muddle through all the instruments myself in order to save a couple of bucks. Am I glad I didn’t, and that I got these two gentlemen in because once you have the real deal on the tracks it just kicks it up several notches. I can’t wait to hear it all mixed and mastered… It. will. be. EPIC.

Blue Blue Satellite

So tomorrow after I leave my day job for the day, I’ll be going all Clark Kent and will rush over to Gallery Recording Studios in the Glebe neighbourhood of Ottawa, transforming into Blue Blue Satellite on the way. There, I will start my first evening of “tracking”. Which, as I understand it, is just a cooler word for “recording”.

It’s tremendously exciting to be moving on from my bedroom “studio” with recording “equipment” that 11-year-olds doing Beiber webcam covers for YouTube wouldn’t even touch. And even though I probably should put all my focus on the music and nailing the performances, you can be sure I’ll have my camera to capture all those cool in-studio shots of me singing in front of mic spit guards and what-not.

So stay tuned, wish me luck, and probably most importantly, wish my producer luck as he’s about to find out the true meaning of “amateur”…

Blue Blue Satellite

So I’m rushing this post out so that Technorati.com can verify the following code: 2T6EWHYJTWW5. Did you get that Technorati robot blog crawler? I said 2T6EWHYJTWW5.

Moving right along…

Of all the songs I’ve written, there are about 40 songs that would be album-worthy. The rest…well let’s say I’ve written my share of songs that were all kinds of suck. Probably worth putting on display as cautionary tales as to why you don’t want to short-change the songwriting process. But of the 40 keepers, the challenge I now face is which ones I’ll include on my first album(probably 10 or so).

Without knowing it, many of you have already helped me in this task. Etched in my brain(read:ego) are the many positive comments people have made on my songs. Whether polite offhand congratulations or soul-baring cockle-touchers, these comments give me a good idea of which songs pack the goods. So I already do have something of a shortlist.

From there I’ll need to figure out if any of the songs just don’t belong thematically or musically. Whenever I would prepare a setlist for a live show I’d always try to have a nice, smooth musical trajectory so that the audience is taken on a musical journey rather than yanked from one song to another. Same with the tracklist…need to make sure they all fit together both as a whole and as a sequence.

Have you ever watched those deleted scenes with the directory’s commentary on a DVD and they’re like “I really loved this scene but I had to cut it for the sake of the pacing”? My next thought is usually “man, how do I turn off this pretentious jackass’ commentary?” but now I kinda understand it. I already know I won’t be putting in some songs on this record that I’d really love to record. I’ll reveal the final tracklist once it’s finalized but for now I’ll end this pretentious jackass commentary with a few tracks that won’t be making the cut…or will they?

  • Let the Pieces Fall (i.e. Dr. Snuggles)
  • Reckless and the Gun
  • Let Heaven Come Down
  • La Danse (i.e. the French song)

Blue Blue Satellite

…or to use the correct terminology I recently learned: “making my first record”. Which is weird, because I will be essentially recording my first CD. Regardless, allow me formally announce it:

Dear friends, in the next few months I will be making my first record. Although I am still very much an independent artist, my intention is to do this in as professional a manner as I am able. I have spoken to a local Ottawa producer, Dean Watson, who is well respected, connected and has a good track record and we have agreed to proceed with this project in the September time-frame. I have budgeted a significant amount of money for the entire initiative and even if this record turns out to go nowhere, I feel a need to do this now and to do it seriously and to do it right. And so, I am going to do it.

I’ve tried to be pretty low key in the past about pushing all things Blue Blue Satellite(that’s my stage name, for the uninitiated) but as part of my commitment to doing this project right, alas, I’m going to have to step up the self-promotion. I promise I won’t just cram it down your throats and be like “buy my CD, buy my CD, buy my CD, buy my CD, buy my CD.” I will try to offer something engaging and insightful that will hopefully keep you rockin’ along with me as I strike out on this endeavour.

I know I’m making a big deal out of this. And I know that most of you probably know people who have put out records of their own so it’s kinda like: “meh”. Still, I hope you’ll be willing to share in my excitement and be interested in joining me as I take this little journey. Or rather “continue this journey”…a journey many of you have been on at the important moments so please stick with me a little longer…at least until I can garner more than dozen YouTube hits.

Blue Blue Satellite

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(buy my CD, buy my CD, buy my CD, buy my CD, buy my CD….when it comes out)