Archives for posts with tag: Sara Melson

There’s very little that can be said about Sister Rachel that hasn’t already been said. So I’ll keep it short and on the topic of the production of the track rather than re-tread the now ponderous story of Sara Melson‘s involvement on the track, which, if you’ve spoken to me for more than 30 seconds, you’ll have heard…and have wished you had those 30 seconds back.

Being the poppiest track I’ve written, it’s ironic that it was actually the track I had a lot of trouble with in the studio. I played every part on that track and I struggled particularly on the drums. It was late, I was tired, I was getting frustrated at not being able to find my groove on the drum part. That’s especially problematic considering I don’t play drums. Still, I persevered and producer Dean guided me through it and eventually I found my second wind and started having fun with it and churned out a pretty acceptable song.

The intro synth beat is from my original Casio VL-1. It literally belongs in a museum and for the record I’m using the Rock-2 preset(the Rock-1 preset was already in use).

With dignity

Without dignity

Without dignity

LIVE VERSIONS

Sister Rachel is a tricky song to capture live without a band so I’ve had to re-invent it several times. Here are the incarnations I’ve done at shows:

Blue Blue Satellite

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On May 15th, 2012, I played a show at Room 5 in Los Angeles. You may have heard me mention this. No offense to all of my other gigs, each of which I hold near and dear to my heart, but the L.A. gig was in a league of its own. If recording, releasing and promoting my debut CD was the ice cream, chocolate syrup and rainbow sprinkles…the L.A. gig was the culminated glory in being told: “…and would you like all that deep-fried?”

And like all things deep-fried, my L.A. experience touched my heart. Staying with another musician in a lovely house in a lovely neighbourhood, putting around L.A. seeing and meeting fascinating folk, sharing the bill with the extraordinary Dahls and Sara Melson and even making $20…for a few days, I was living the dream. But considering that dream has been over for two months, so where does it fit in with reality…?

Reality

I once jokingly told someone, “why would anyone bother to listen to a 30-something melancholy Chinese folk singer?” and she answered without missing a beat: “THAT’S exactly why.”

I was stunned by her optimism and strangely inspired sense-making. But in my more cynical times(i.e. all the time), I still stand by my original question. Add to that the pointless bar gigs, the inverse proportionality of audience size to gig frequency, the scores of other talented artists doing what I’m doing with more success, the scores of other talented artists doing what I’m doing with less success and Justin Bieber, getting a little down on myself is inevitable.

But having had the L.A. show affords me something I’ll always have now: the right to say, “well, at least I had the L.A. show.” And that is something important for me to remind myself of because letting the challenges of being an indie artist overshadow the epicness that was Blue Blue Satellite In Los Angeles is truly an insult to one of the most exciting 5 days of my 30-something Chinese years.

Blue Blue Satellite

If you bought a copy of my newly released debut record, “The Learning Days”, you’ll see a little name in the credits and hear a big voice on the record: Sara Melson.

Although not a household name, Sara is an exceptional L.A.-based songwriter and singer who has had some notable success including having a song on Grey’s Anatomy and singing backup for Moby on the The Tonight Show with Jay Leno.

Moby and Sara

Pictured: Moby, Sara, other white clad singers. Not pictured: Jay Leno, Jay Leno's chin.

This blog post will be less about how I got her to sing on my record, but more about what her being on the record means to me.

So let’s begin. And we will begin with…

Neil Halstead, my bearded musical raison d’être:

Neil Halstead

Full beard = extra realness

My bread and butter as a musician is fingerstyle guitar and finding beauty in the melancholy. And I learned how to do both from Neil’s songs. Specifically, this song and this song respectively.

Now then. Neil has a band called Mojave 3 and in 2006, their lovely bassist and co-vocalist, Rachel Goswell, fell ill and couldn’t tour in support of their new album. So as a young Blue Blue Satellite sat and listened to his favorite band on the highly influential Morning Becomes Eclectic radio show, I was saddened to not hear Rachel Goswell, but was gladdened to hear a more than capable replacement.

KCRW

Click to enlarge. Witty captions ensue.

The DJ said it was “Sarah Nelson”. After some intense research on internet search portal Google(Google, the verb, had yet to be invented), I realized that it was Sara, no “h”, and Melson, not “n”. Sara Melson. It didn’t take her long to gain me as a fan because her gift of melody, her bold, brave lyricism and her killer wolf-in-sheep’s-clothing voice made becoming a fan a no-brainer.

Meanwhile, Mojave 3 had posted a blog about their bass player’s health woes:

Mojave 3 blog

Before there was Facebook, there was MySpace...and Tom. (Click to enlarge and read).

Did you catch that? Let’s take a closer look…

Two magical words

Capitalize the "s" and you've got yerself a song!

That’s right…it was this blog post and those two words, “Sister Rachel”, that inspired me to write my poppiest song to date: “Sister Rachel”. It has since been a mainstay in my setlists and always manages to be quite a crowd pleaser. And when Sara Melson graciously agreed to provide some vocals on my record, there was no doubt in my mind: it had to be on “Sister Rachel”. And it couldn’t have worked out better…the way the second verse comes in, the key and vocal range, the harmonies…it’s like Sara’s vocals had found their way home. Every time I listen to that track, I break into a big dopey grin when her vocals enter.

So in summary, here’s serendipity Blue Blue Satellite style: Sara sings on “Sister Rachel” which was inspired by Rachel Goswell of my musical heroes Mojave 3, whom Sara stood in for when Rachel fell ill while Mojave 3 blogged about their “sister Rachel” which inspired me to write my song “Sister Rachel” which Sara sings on.

Too convoluted? Ok then, I’ll put it in the form of  a lame poem:

I love Sara Melson
I love Mojave 3
Sara sang with Mojave
and now she sang with me.

Blue Blue Satellite

p.s. despite her cool success, it ain’t easy being a full time musician in L.A. and Sara needs help to raise funds for her next album…lend a hand here. Tell her Blue Blue Satellite sent ya…