Archives for posts with tag: Strings

Two great European narcotics: alcohol and Christianity. I know which one I prefer.”  – The Streets, “Never Went To Church“.

I’ve heard variations of this statement over the course of time. And usually it’s a bit of an irreverent way of eliciting a “yeahhh booze, woo!” kind of reaction. And it rarely fails. You won’t hear a “yeahhh, Christianity, woo!” too often. Well then, allow me break the mold: Yeahhh, Christianity, woo!

Seriously. I do identify myself as a person of the Christian faith and unlike nouned pseudonym cohort Mike “The Streets” Skinner, I’ve indeed been to church. Weekly as a matter of fact.

Why do I bring this up? Because the penultimate track from my record, Against the Northern Sky, is actually 1/3 a Christian song about the constancy that can be found in God. With the other 2/3 made up of homage to Nick Drake’s Northern Sky and this scene from Futurama(spoiler alert if you haven’t seen Season 4):

You wouldn't expect to find poignancy in paper balls thrown at crotches and purple haired cyclopeses in evening gowns, but, well, here we are. (spoiler alert if you're actually watching Futurama season 4 for the first time)

Crumpled paper thrown at crotches and purple haired cyclopeses in evening gowns. Was I really writing seriously about God a sentence ago?

I’m not a huge fan of contemporary Christian music as a genre though. I find it doesn’t quite capture the profundity of faith in today’s day-and-age. And musically I find it kind of trite. It serves a purpose I suppose, but there are some stellar examples of music about religion that I prefer. And that’s the kind of “religious music” to which I hope Against the Northern Sky belongs.

Keytar!

Most of the strings in the song is me on my violin. However, at about 2:50 some strings come in at a very high register. These strings are being played by the king of campy 80’s electronic music, the synthesizer.

Play that synth boy! er, girl...?

Play that synth, boy! er, girl…? er…Michael Myers?

But at 3:30 I come back in with my violin and it was a bit of a gamble but the play between the fake strings and the real strings is kind of interesting I think.

So listen to the religious-leaning synth-driven tour-de-force here before we move on to the final track of “The Learning Days”!

Blue Blue Satellite

Before I hit my stride writing contemplative melancholia, there were three songs I was especially proud of: “The Fair’s in Town Tonight“, “Don’t Cry (Tonight)” and “Against the Northern Sky”. They’re also amongst my oldest songs and I used to call them the Trilogy of Sad Songs. Nowadays nary a song gets wrote that isn’t sad in some way.

Track 3 – “The Fair’s in Town Tonight”

Sometimes the genesis of a song will be a single freeze frame in my mind’s eye. Either one I make up or one I’ve experienced. In the case of “The Fair’s in Town Tonight” it was a sad one I had seen…..from The Simpsons:

simps

Lisa Simpson personifying melancholia. And poor pedestrian safety.

This poignant moment of cartoon gravity came after a scene at a carnival/fair thus planting the seed of a song whose theme was the deception of appearances: sad people can be at fair, adult males can watch cartoons…

simps2

Speaking of adult males, another frame from the same episode.

In the bridge, I wanted to achieve a certain sound with one of the instruments and we accomplished it by bouncing a screwdriver off electric guitar strings. We had first tried a highlighter but it just didn’t have the quality you get with a screwdriver. You can never be too picky when using work tools and stationery as instruments.

Track 4 – Don’t Cry (Tonight)

“Don’t Cry (Tonight)” is my oldest song with any songwriting worth. It was a mainstay of my early live shows and if memory serves, it was one of the songs that helped land me a spot on Toronto’s Free Times Cafe’s Best of Open Stage, which set the stage for the emergence of Blue Blue Satellite in the early 2000’s. Further validation came years later, when my #1 influence, Mojave 3, released a song that had echo’s of “Don’t Cry” in it. Very cool to see like-minded inspiration from different sources.

I fought with the arrangement of “Don’t Cry (Tonight)” for several weekends before we were due to start recording it. I finally drew on songs that do strings right, and based the arrangement around a violin ensemble part.

This may be a reward or it may be a punishment for you wonderful readers out there, but here’s the original DIY demo I did of the song if you want to contrast it with the final product.

Blue Blue Satellite