Archives for posts with tag: Thieves

For the life of me, I can’t remember why I wanted Thieves to have the little intro in the form of Things Stolen. Regardless, it’s there and its lyrics can actually be sung to the tune of Green Day’s Good Riddance(Time of Your Life) because in one of my earliest attempts at songwriting I always felt that song lacked a verse and I took it upon myself to write it. So the 20-second track is really just an inside reference Easter egg that only I would ever get. Classy.

The whooshing sound at the end of the track is actually a car going by outside since we were recording in the more open and un-soundproof upstairs church space. It worked out nicely since its timing at the end helps transition into Thieves….which now helps me transition to, well, Thieves.

“Gutter Folk”

Thieves wouldn’t be what it is today without one Jeremy Owen, a local Ottawa troubadour and inventor of “Gutter Folk”. His arresting songs are visceral and raw and he’s a cool cat to watch live. Even though I wrote Thieves back in Toronto, I never really got it and sort of wrote it off. But Jeremy got it and really re-introduced me to the song. Not only did he get the song, but he did so in an unfathomable way: I played it at an open mic night where I got through the first verse, hopelessly forgot the second and promptly abandoned ship and stopped the song. Before I could start the painful process of wiping the embarrassing performance from my mind, Jeremy approached me and said he loved the 30 seconds I didn’t screw up, wanted a copy of the demo and actually covered it at a subsequent show. And it’s from his performance that prompted the metamorphosis of the song from an uninspired 3/4-time affair to a soul-baring tapestry of woe captured in song. Thank you Jeremy.

2 am: a good time to start mixing

The other amusing story occurred during the mixing process. Thieves was the last song producer Dean and I worked on. And it was my last day in the studio, going on 2am and we hadn’t touched Thieves yet. Grudgingly and grumpily digging in for what seemed like an inevitable all-nighter, we first gave the track a quick listen. Dean almost lost his shit when, at the second verse, all the instruments came in already beautifully mixed. We had both forgotten that we had worked on the track previously and A LOT of the legwork was already done, meaning we’d probably be able to get home at a very reasonable 3am, play some xbox, get a good 3 hours sleep and f*** the dog at the day job the next morn fresh as a daisy.

These are the stories of Thieves. You’ve read them. You can’t un-read them.

Blue Blue Satellite.

For many moons now, I’ve always claimed to be a songwriter first and foremost. Not a singer, not a guitarist, not a CD pushing self-promoter, but a songwriter.

My Ottawa CD release made me realize that this is a false claim.

Almost all of the elements that made me very satisfied with the Ottawa CD release were not song-related. For example:

  • Taking the stage to a projected visual intro with an accompanying instrumental piece.
  • The uninterrupted, three-song, no banter set of songs to kick off the show
  • The un-amplified mandolin song while walking into the audience
  • Having a backing band for Thieves but having them take the stage halfway through the first chorus:

    (impatient? go to 1:26)

There were more but I can’t reveal all my performance secrets now can I(especially since most of them are stolen)? But therein lies the keyword: “performance”. It turns out that while I still consider myself a songwriter, the performer in me is just as strong. Maybe even slightly stronger. And this can be heard on the record as well. Every element, every transition, every nuance that pushes the CD or live show beyond a simple collection of 14 songs: this is performance.

So why is this important to me? I guess I’ve become very aware of my audience whether they’re at a show or reclining with headphones  on at home. As a songwriter, my job is to write a song. Ok. Check. But as a performer, my job is to give the audience a fresh experience that will resonate with them; make them come for the music but stay for the experience…which I hope I succeeded in doing at the Ottawa CD release.

I’m still very much a songwriter. But now I’m adding the performer aspect. I suppose it marks an evolution in me, but it begs the questions: what is it that I am evolving into…?

An artist.

Thieves

Thieves @ Gallery Studios

Blue Blue Satellite