Archives for posts with tag: tracklist

Before I hit my stride writing contemplative melancholia, there were three songs I was especially proud of: “The Fair’s in Town Tonight“, “Don’t Cry (Tonight)” and “Against the Northern Sky”. They’re also amongst my oldest songs and I used to call them the Trilogy of Sad Songs. Nowadays nary a song gets wrote that isn’t sad in some way.

Track 3 – “The Fair’s in Town Tonight”

Sometimes the genesis of a song will be a single freeze frame in my mind’s eye. Either one I make up or one I’ve experienced. In the case of “The Fair’s in Town Tonight” it was a sad one I had seen…..from The Simpsons:

simps

Lisa Simpson personifying melancholia. And poor pedestrian safety.

This poignant moment of cartoon gravity came after a scene at a carnival/fair thus planting the seed of a song whose theme was the deception of appearances: sad people can be at fair, adult males can watch cartoons…

simps2

Speaking of adult males, another frame from the same episode.

In the bridge, I wanted to achieve a certain sound with one of the instruments and we accomplished it by bouncing a screwdriver off electric guitar strings. We had first tried a highlighter but it just didn’t have the quality you get with a screwdriver. You can never be too picky when using work tools and stationery as instruments.

Track 4 – Don’t Cry (Tonight)

“Don’t Cry (Tonight)” is my oldest song with any songwriting worth. It was a mainstay of my early live shows and if memory serves, it was one of the songs that helped land me a spot on Toronto’s Free Times Cafe’s Best of Open Stage, which set the stage for the emergence of Blue Blue Satellite in the early 2000’s. Further validation came years later, when my #1 influence, Mojave 3, released a song that had echo’s of “Don’t Cry” in it. Very cool to see like-minded inspiration from different sources.

I fought with the arrangement of “Don’t Cry (Tonight)” for several weekends before we were due to start recording it. I finally drew on songs that do strings right, and based the arrangement around a violin ensemble part.

This may be a reward or it may be a punishment for you wonderful readers out there, but here’s the original DIY demo I did of the song if you want to contrast it with the final product.

Blue Blue Satellite

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So my studio time has ended. We didn’t quite finish everything up so I’m going to have to go back in to record one last track. Then comes the editing, mixing, mastering and the most important part: running the entire record through the T-Pain Super AutoTune 5000™.

But I can tell you the tracks that we recorded, thus officially revealing the tracklist for The Learning Days:

(in alphabetical order)
1. (Never) Let It Go
2. 30
3. Against the Northern Sky
4. Blues’ll Always Be the Blues
5. Do You Remember Me?
6. Don’t Cry (Tonight)
7. The Fair’s in Town Tonight
8. The Learning Days
9. Science and Progress
10. Sister Rachel (a.k.a.: “Inter-racial”)
11. Thieves

Going to take a little travel hiatus but it’s going to be nothing but The Learning Days, The Learning Days, The Learning Days once I’m back and hopefully the record will be finished just in time to cheer y’all out of the winter blues(…or drive you deeper into them, depending on which tracks you listen to).

Blue Blue Satellite

So I’m rushing this post out so that Technorati.com can verify the following code: 2T6EWHYJTWW5. Did you get that Technorati robot blog crawler? I said 2T6EWHYJTWW5.

Moving right along…

Of all the songs I’ve written, there are about 40 songs that would be album-worthy. The rest…well let’s say I’ve written my share of songs that were all kinds of suck. Probably worth putting on display as cautionary tales as to why you don’t want to short-change the songwriting process. But of the 40 keepers, the challenge I now face is which ones I’ll include on my first album(probably 10 or so).

Without knowing it, many of you have already helped me in this task. Etched in my brain(read:ego) are the many positive comments people have made on my songs. Whether polite offhand congratulations or soul-baring cockle-touchers, these comments give me a good idea of which songs pack the goods. So I already do have something of a shortlist.

From there I’ll need to figure out if any of the songs just don’t belong thematically or musically. Whenever I would prepare a setlist for a live show I’d always try to have a nice, smooth musical trajectory so that the audience is taken on a musical journey rather than yanked from one song to another. Same with the tracklist…need to make sure they all fit together both as a whole and as a sequence.

Have you ever watched those deleted scenes with the directory’s commentary on a DVD and they’re like “I really loved this scene but I had to cut it for the sake of the pacing”? My next thought is usually “man, how do I turn off this pretentious jackass’ commentary?” but now I kinda understand it. I already know I won’t be putting in some songs on this record that I’d really love to record. I’ll reveal the final tracklist once it’s finalized but for now I’ll end this pretentious jackass commentary with a few tracks that won’t be making the cut…or will they?

  • Let the Pieces Fall (i.e. Dr. Snuggles)
  • Reckless and the Gun
  • Let Heaven Come Down
  • La Danse (i.e. the French song)

Blue Blue Satellite